«His photos speak to us in an archaic language magically found in the realm of the darkroom, where in a blindly visionary way he discovers, in the shots of the film, either the grotesque alchemy of Goya’s Spanish painting, or moments of theatricality; essential for a staging of literary and very popular characters, such as those with whom the adventures of his very personal Don Quixote go together. Fabulous webs are born between reality and fantasy confusedly linked to the vision of disappeared civilization, moments and actions, children of memory and memory.
Salvatore Schembari